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The Autism Whisperer

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Helene Mann uses music therapy

When Helene Mann's daughter was born with severe cerebral palsy, she learned to communicate non-verbally with children Take a moment to picture every redhead you have ever seen or met in your life. Got it? The most recent studies by the state departments of Health and Human Services on autism put the current prevalence of children born with the disorder at one in 88 births, a rate higher than children born with auburn locks (which stands at one in 100). That means that in next few years you will know more children with autism than ones you can affectionately call "ginger." The disability has been growing at a double-digit rate since it was first discovered in 1943, when just one in 10,000 children were found to have the condition. The annual cost of autism in the U.S. was estimated at $126 billion by Autism Speaks, the world's leading autism science organization, and locally the DOE spent $30 million alone serving Students with Autism (SWA) during the last school year. The numbers are not rising as dramatically here as they are nationwide, but there was a 7 percent increase in SWA last year, bringing the number of students receiving one-on-one intensive services to 506 of the 1,300 diagnosed with autism spectrum disorders (ASD). One of Hawaii's leaders in aiding SWA is Leeward's Helene Mann, a former standup comedian and belly dancer who discovered her connection with children with disabilities through her own life experiences with her daughter Sehera. Mann's daughter was born with mixed-type, quadriplegic cerebral palsy, leaving her trapped in the body of an 8-month-old her entire 14 years on earth. Her only way of communicating was through her eyes, and it was through Sehera that Mann learned the importance of paying attention to the little things in body language and the love of taking care for a child incapable of caring for herself. "She was my teacher, she was my mentor and my guide," says Mann, who moved to Oahu in 2003, "and because of those incredible 14 years, I developed an incredible sensitivity to non-verbal communication with kids." After her daughter's passing in 1993, Mann began studying at the College of New Jersey, where she received her master's degree in special education. She now had the formal education to go with the practical one that life had given her. She went to work in Camden, N.J., a place with a reputation for tough kids - so tough, in fact, that Mann recalls how disheartened her principal was when he visited the local prison and so many of the inmates knew him by name because they were his former students. It was here that she learned the value of not just patience with SWA, but that one has to take off the authoritarian hat of old- time schoolteachers and look more to serve as a guide to students, letting them lead you to where you want them to be. "You have to abandon the way you were raised, 'you do this because I said so,'" says Mann. "When you are working with autistic kids, you have to let them lead you and give up your control; it is no longer an ego trip. I can give up that control because I know I am in charge ultimately." She believes you have to find each child's own interest. If a kid is into dinosaurs, her examples to them will involve a brontosaurus; when the obsession is Yu-Gi-Oh, math problems involve how many bananas Yu-Gi-Oh got at the store. "I had a kid with ASD and he loved building things with blocks - that was all he wanted to do, he could build anything," says Mann, who was hired to head the proposed Autism Center in 2007, but left after eight months because she missed the interaction with the children. "I taught him the difference in colors and how to count by using those blocks." The key is to watch the children to see what they will react to; sometimes it is not obvious right away. She believes that without motivation no one can truly learn, and with SWA, those motivations cannot be manufactured, but must come from the students themselves. "The teaching has to be child-centered; the child directs everything," says Mann, who readily admits that she is much better with people who are 4 feet tall and under. "You talk to them, not at them; they will teach you their motivations. If the kid wants a bunny rabbit, you give them a bunny rabbit, you don't give them a jelly bean." Once the motivations have been established, she allows her show biz instincts to take over, as she knows a laugh can be a powerful force in not just gaining the children's trust, but in helping knowledge take root in their minds. "If you have fun while you are learning, there are studies that say you retain more because you are actually paying attention," says Mann, who also serves as director of Jewish studies at Temple Emanu-el. While keeping it light and fun is the goal, keeping it as such can prove difficult with children with autism. This, according to Mann, is a teacher problem, not a student problem. "If the kid is acting up, it is not what are they doing wrong, it is what are you doing wrong," says Mann. "Maybe you haven't read the kid properly or are not empathizing properly with them. You need to allay their anxiety." This is where the patience of Sehera comes in, observing and understanding what a child needs when they are unable to express it themselves. Each child is unique and, for Mann, she feels it is her mission to help them when so many other people would just walk away from the situation. "The largest group of oppressed individuals is children, not women, not blacks, not other ethnic groups, but children all over the world," says Mann. "So, for me, it is important for the kids to make the choice from the matrix of my choosing. We don't cater to the disorder, we cater to the child."

The Autism Whisperer


Tales From The Great Pumpkin Patch

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Momi Akana (executive director of Keiki O Ka Aina; Billie Gabriel, Leighton Tseu (Pumpkin Carving Festival president), Merv Lam (Kaneohe Safeway general manager), Tamara Namduang, and Leigh Leilani Graham, USO area director

Here's the straight scoop from a real expert on the third annual Pumpkin Carving Festival Oct. 24 at Tamarind Park, and Oct. 27 at Windward Mall By THE GREAT PUMPKIN As told to Susan Kang I've been clinging to a vine for months, but now the wait is over. Halloween is nearly here, and it's show time. I'm a giant pumpkin of a svelte 1,399 pounds enroute to Honolulu from a pumpkin patch in northern Michigan. You know about pumpkins, don't you? Although we are not indigenous to the Islands, you are familiar with our cousins, the gourds (ipu). A pumpkin is a gourd-like fruit from the Cucurbita family of plants that includes squash, watermelon and cucumbers. The species originated in Central America. The largest of us ever grown is 2,009 pounds (more than a ton), earning a world's record just weeks ago in Rhode Island. That's a lot of pumpkin pie. Although you can't dance hula with us, you can cook and carve us. The Irish brought the tradition of carving turnips and potatoes to America. They quickly discovered that pumpkins were bigger and easier to carve. European custom included carving scary faces into gourds and placing embers inside to light them. This was believed to ward off evil spirits, especially spirits who roamed the streets and countryside during All Hallows' Eve. But enough of legends. That was then. This is now. My trip from a pumpkin patch in Michigan to Oahu - some 4,500 miles - is to bring joy to children and families in paradise. My coming out party is at the third annual Pumpkin Carving Festival Saturday, Oct. 27, 10 a.m.-6 p.m., at Windward Mall. Folks are invited to enjoy pumpkin carving and a howling good time. "It is reminiscent of Hawaii's makahiki observance," says event organizer Billie Gabriel, who started the Pumpkin Carving Festival in 2010 as a seasonal tradition. "One of the purposes for this community event is to create a tradition for families leading into Halloween and Thanksgiving." Each year, two charities are selected as the beneficiaries. The 2012 festival benefits Keiki O Ka Aina Family Learning Centers and USO Hawaii. Preceding the family event is a corporate competition on Wednesday, Oct. 24, 4:30 p.m., at Tamarind Park. We all know that downtown's financial center thrives on competition and bragging rights. So expect Bishop Square to be a sea of orange as corporate teams and executives compete for coveted pumpkin perpetual trophies. Business leaders going head-to-head in a two-hour timed event in the Executive CarveDown are Rich Blangiardi (Hawaii News Now), Meredith Ching (Alexander & Baldwin), Glenn Hong (Young Brothers/Hawaiian Tug & Barge), Ron Mizutani (Communications-Pacific and MidWeek columnist) and Mia Inoshita (Meadow Gold Dairies). Also, Conchita Malaqui (Outrigger/Waikiki Beach Walk), Steven Teruya (Finance Factors), Richard Wacker (American Savings Bank), John Schmitz (Hilton Head Health), Sean Satterfeld (UBS Hawaii) and Corbett Kalama (First Hawaiian Bank). Corporate teams will compete in timed contests to carve four pumpkins in categories entitled Endangered Species, Monuments/Historical Landmarks, and Political Pumpkin Heads. (OK, no jokes about hollowed-out pumpkin heads for the political category.) Corporate presenters exhibiting their sense of humor are Matson Navigation Company, Safeway, Hawaii Business Magazine, and Douglas Emmett Management. Safeway is donating 1,100 pumpkins for family packages. Equally ready for a good time are judges for the corporate carvedown, including Marjorie Bronster, Tom Moffatt, Steve Petranik, George Glukfeld, Linda Ching and MidWeek publisher Ron Nagasawa. Judges have their work cut out for them. Those business types are downright spooky when it comes to competition. A special attraction at the corporate and family day events will be master carver Ed Moody, popularly known Pumpkin Ed. Hailing from Frankfort, Mich., Ed has carved giant pumpkins - the kind weighing 500 pounds or more - for 14 years. His artistic skills are amazing as he cuts and scrapes giant gourds into awesome creations. He is a wizard wielding a Chicago Cutlery paring knife, boning knife and a 12-inch blade filet knife. I can't wait to see my makeover as Pumpkin Ed transforms me into a whimsical character. According to festival president Leighton Tseu, the logistics of bringing four giant pumpkins to Hawaii are equally impressive. He should know. Tseu is a retired Matson regional port engineer who is adept at the ins and outs of transport. "Half the fun is getting here," Tseu tells me, and he is right. The diligent logistics plan by Pumpkin Ed and Tseu, with the cooperation of Matson, makes the 4,500-mile trek to paradise a breeze. Pumpkin Ed custom designed packing crates that are lined with protective material and constructed of heavy duty wood to withstand front-end loaders. I am securely fastened in place with sturdy straps. I am taking a 2,400-mile truck ride from Michigan to Oakland, Calif., where cargo handlers place the pumpkin crates into refrigerated containers for the ocean voyage to Hawaii. The 2,100-mile sail on the Matson barge M/VManoa takes four-and-a-half days, but seems longer in my anxiousness to reach the shores of paradise. I will be off-loaded at the Matson pier by a giant crane and reside at the Matson container yard until the Department of Agriculture gives me a good bill of health certificate. Then, Kevin Akana Trucking will transfer me to Windward Mall's Family Day. Like most glamorous celebrities, I won't come out until I'm ready to meet my public. My Matson refrigerator container keeps me cool at 40 degrees to assure freshness. Hope you'll join me at the Pumpkin Carving Festival for my Honolulu debut and the transformation that will take place at the hands of my creative guardian, Pumpkin Ed. It will be a hoot to meet you and experience the island's spirit of aloha. What I've heard is that everyone smiles, greets newcomers warmly, and loves posing for photos - even with pleasingly plump pumpkins. Shaka. Pumpkin Carving family packages Oct. 27 at Windward Mall cost $35 and $65, and include pumpkin, tools, apron, stencil and reserved work table. Only a few packages remain. For more information, call 497-7264 or visit pump-kincarvingfestival.org.

Tales From The Great Pumpkin Patch

Teens Win State Chess Championships

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Teens Win State Chess Championships

Eldon Nakagawa of Aiea and Stephen Mau of Mililani shock the chess world by winning state titles Historically, the game of chess has been imbued with the notion of nobility. It has been stereotyped as so difficult that only those of supreme intelligence can master it. Well, hold your rook right there! Chess is merely a game, fashioned for entertainment and positive mind stimulation. Before 16-year-olds Eldon Nakagawa and Stephen Mau became two of Hawaii's finest chess players, they were just as uncertain about chess as anyone else who is just learning the more than 1,000-year-old game of strategy. Nakagawa and Mau began playing chess while in elementary school, their interest piqued mostly by curiosity. "I actually started playing because someone at school asked why I don't know how to play chess," says Mau, a senior at Mililani High School. "I guess I was one of the top students in my class, and they associated chess with intelligence. I didn't know how to play, so I asked my dad and he taught me, and I started playing with him for awhile." Nakagawa, a junior at Aiea High, would get irritated at his mother for beating him consistently when he was younger. "I eventually beat her. She made me play my dad, to punish me, I guess," says Nakagawa with a smirk. "I lost to him a lot. Then I started beating him and they sent me to chess clubs. I got a few lessons from Chet Gionson, who recommended I start playing in tournaments." This past September, Nakagawa became the youngest player to win the Hawaii State Chess Open Title. Going into the final round with a perfect score - a feat in and of itself - Nakagawa was paired against six-time state champion, national master and scholastic chess coach Cornelius Rubsamen. In his toughest competition thus far in tournament play, Nakagawa played as he always does, with a step-ahead mentality, finishing the event victorious. "At first, I was taking it match by match because I didn't really think I was going to do as well as I did. Then, as the tournament progressed, I started pressuring myself unnecessarily. That wasn't good, but I guess it's natural." On playing Nakagawa, Rubsamen says, "Having seen Eldon grow as a chess player over the years, and having played my part in training him, I was not surprised that I couldn't beat him in that critical game. The combination of talent and work ethic has evidently paid off." Ratings for chess players range from Class C to Class A and up and through expert rank, with the highest being grand-master. Nakagawa, who currently holds the rank of expert, could very well become the youngest chess master from Hawaii. With a sound understanding of the game, he's mulling his strategy well before each match begins. "You have to evaluate the positions, and if you already have a plan, then you have to try to further your plan. Chess is a war game, so you have to plan and out-plan your opponent," says Nakagawa, who also won a Brilliancy Award for best-played game at the Vancouver, Wash., Denker Tournament. Mau, who placed second in the Open Title tournament, likes to speed things up a bit. He recently took first place in the Hawaii State Blitz Chess Championship. In blitz chess play, participants have only five minutes to make each move as opposed to standard play, where players have 15 minutes or more, depending on the tournament. Unlike Nakagawa, Mau uses a more unconventional approach to tournament play. "I don't have all these documents on my opponents. I just go to the board and I play," he says. "I try to pretend my opponent is the best player in the world, and if I let him off the hook, then he is going to find some crafty way to get out of it, so if I just pretend he is the best, then I'll have total focus on him." You would think that, with the skill Mau and Nakagawa have gained at chess, they would be practicing day in and day out, but that is hardly the case, as both have daily schedules constantly filled with school as well as extracurricular and sport-related activities. Nakagawa participates in the Robotics and Math clubs, jazz band, as well as playing on the tennis and swimming teams at Aiea High. Lau squeezes time in for chess between Science and Math clubs, Interact club and a handful of networking competitions. So, who is the better chess player? In head-to-head play, Mau and Nakagawa say recently they've had a series of draws between them, and that each has always had great difficulty beating the other.

Teens Win State Chess Championships

Stop Your Dog From Nuisance Barking

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Stop Your Dog From Nuisance Barking

With more people complaining about barking dogs, Scott Argus of Talk Dog Hawaii has a solution. In short, dog owners have to be the pack leader Barking dogs - it's a problem no matter where you live. For me, it happens in the middle of the night. You can hear the echo of one dog's bark, and before you know it there's a chorus of barks through the neighborhood. But I also am guilty of having a dog that likes to bark. At my old residence in Manoa, where my next-door neighbor was a housewife, another one worked at home and mostly everyone else was retired, my adorable, little, white, fluffy Lhasa Apso, Mei Mei, would bark continuously from the minute I stepped out until someone returned home. We tried everything - a shock collar, a citronella collar, a remote beeper, dog -training classes, leaving the TV on. We even had three other dogs on property, but nothing seemed to work. Someone suggested that I have her voice box removed. I thought, absolutely not, and instead I went door-to-door to apologize to my neighbors. Thankfully, they were understanding. Well, believe it or not, there's a guaranteed way to make your dog stop barking, and it's totally humane. First you have to understand why dogs bark, their psychology, and ultimately learn to become the pack leader. "Barking is the No. 1 problem people come to me for," says master dog behavior therapist Scott Argus of Talk Dog Hawaii. "There are dogs that will only bark when somebody walks by the house, and they bark for 30 seconds and stop; there are dogs that bark all day long; and then there are all the dogs in between." He says the two primary reasons a dog barks are fear and separation anxiety. But both stem from the dog thinking it's the pack leader. "A dog's DNA is 99.8 percent identical to the gray wolf," he explains, "and the importance there is the gray wolf is a classic pack animal - they work together and live together as an extremely tight-knit family. Their very survival in their minds depends on having a good pack leader. It's literally life and death. "So what happens is you bring a dog into your home, and after a couple of days, she says, OK, I'm a member of a new pack. I eat here and I sleep here. If I want to survive, I have to figure out who the pack leader is. "Well, you behave like a human, and she thinks, uhoh, there's no pack leader here, we're all gonna die. So the dogs, by default, say if nobody else is going to do it, I will." As the leader of the pack, their No. 1 job is security, which explains the barking. They hear something outside and their responsibility is to warn the pack. With separation anxiety, it's not about feeling lonely, bored or abandoned, but rather about safety. "She's barking because a member of the pack is wandering off, so the pack is no longer safe," explains Argus. "I can't be out there with you to guard you, and you're not here to protect us if we get attacked, so by splitting up the pack, I only have two choices: I either have to get out and join you, or you have to come back and join me so we're all together again. "So that barking is the most typical response, 'come back, come back, come back,' and she'll do it all day long. You can tell her not to, and she'll look at you and say, 'Are you crazy? We're going to die. You have to come back,' and she's certain she's right." So how do you become the pack leader? Well, in the eyes of the pack, the leader is the fastest, most competent and reliable person in the pack. To achieve this, the key word is anticipate. "Anticipate what they're going to do, correct them as they're about to do it or praise them if they're doing something right, and they go, wow, you read my mind, you're a superhuman pack leader," says Argus. "What impresses a dog is your timing. And the solution is to convince them they are no longer responsible for the security of the pack. They're responsible instead for paying attention to the pack leader. "And we teach you how to behave like the leader of the pack, to talk dog so your dog understands what you're saying (by using sounds and tones of voice), and reward them by saying yes (rather than with treats)." Even the barking you hear in the middle of the night can be stopped once those dogs learn to relinquish their roles as pack leaders. "The dog hears the neighbor dog barking, and they go, 'Aha, I heard somebody coming and my pack didn't hear it,'" explains Argus. "'The neighborhood has been alerted and I'm going to join, telling them this is my territory, back off.' But they're only going to do that if they think they're in charge." If you have a neighbor with a barking dog, Argus suggests talking to them. Don't yell or stare at the dog, it'll only make them bark more. According to the Hawaiian Humane Society, in the City & County of Honolulu, it is against the law for a dog to bark constantly for 10 minutes, or 30 minutes on and off, to the disturbance of others. However, it shall not be deemed to be an animal nuisance if, at the time the animal is making any noise, a person is trespassing or threatening trespass upon property in or upon which the animal is situated, or for any other legitimate cause that teased or provoked the animal. In 2011, the Humane Society received 1,651 calls for barking, and issued 60 barking warning citations and 27 barking citations. For 2012, they've received 1,801 calls for barking, and issued 137 barking warning citations and 37 barking citations. A citation has a fine of $50 if the offense did not occur within two years of the occurrence of a previous offense involving the same provision. Argus' teaching includes an initial session that lasts about three hours, followed by five to eight weeks of training that you do at home. He offers a lifetime guarantee and welcomes any dog, any age, any issue. Fee is $575 for one adult dog or $675 for a puppy. Add $100 for an additional dog, $200 for an additional puppy. For more information, visit talkdog.com or call 734-3440.

Stop Your Dog From Nuisance Barking

From Hilo To Hollywood — And Lovin’ It

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From Hilo To Hollywood — And Lovin’ It

Local girl Kristina Anapau has made a name for herself starring in Hollywood movies and portraying Maurella on the HBO hit series 'True Blood' Actress Kristina Anapau spent her 33rd birthday (Oct. 30) working, including this interview with MidWeek. With lead roles in two films (BlackJacks and Sighting) due out early next year, and filming for True Blood season 6 to begin in January, she's busy, and she loves it. "I'm obsessed with working," says the Hilo-born star as she drives through Los Angeles in her Audi A3 Turbo Diesel, which she proudly notes was the 2010 green car of the year. "I feel really good when I'm being productive." While Hollywood knows her as Kristina Anapau, her last name is really Roper. "Growing up I didn't like my last name, so when I started acting at 16, I started using my middle name," she explains. "Now I like my real last name, but once you kind of establish yourself with one name in this industry, it's hard to switch it up." Shortly after she was born, parents Richard and Gloria brought their little girl to Oahu for about five years before moving back to Hilo, where they still reside in Pepeekeo. Anapau spent most of her childhood dancing ballet, and at 15 she graduated high school and started taking classes at University of Hawaii at Hilo. Then, a year later, she got booked for her first acting job, the movie Escape from Atlantis filmed on Oahu, and from that point on knew she wanted to be an actress. "I fell in love with acting and moved to L.A. right after the movie," she recalls. "I absolutely still call Hawaii home. But I do feel like L.A. is my home, too. My whole adult life has been in L.A. for the most part." Anapau has made appearances in countless TV shows, with her most-recent being a recurring role as a fairy named Maurella on HBO's hit series True Blood. Next on her growing list of movie roles is the horror film Sighting, which is written and directed by Tedi Sarafian (Terminator 3: Rise of the Machines). In the film, she plays Theresa, a director/producer who travels to a haunted winery with a team of ghost hunters. "It will definitely keep audiences at the edge of their seats," says Anapau. "It's more than paranormal activity; there are all sorts of developments in there that are pretty unexpected to the audience. "We filmed at this winery (in Sonoma) that was really haunted. There were some real things that happened, but it wasn't scary. It was really interesting and I felt so privileged to be able to be a part of it." She also recently made an appearance on the TV series Grimm, and in 2010 played little swan Galina in the blockbuster Black Swan. "I definitely didn't decide that I was going to do all these thrillers and sort of supernatural thrillers. It sort of happened by chance," says Anapau. "But I do like supernatural things, and I think that genre is very interesting, and obviously the rest of the world really likes it as well. It never gets boring, that's for sure." Listed in Stuff Magazine as one of the Sexiest Women in the World in 2003 and Hollywood's Most Wanted-50 Hottest Women To Watch, Anapau says in real life, she's pretty conservative. "I don't feel like I walk around being very sexy," she says. "I'm sort of East Coast conservative. I dress very properly." Anapau describes herself as a healthy eater, and names her favorite places to eat in Hawaii as Ocean Sushi in Downtown Hilo and Roy's. When she's not working, she enjoys dancing, whether it's going to a ballet class or a dance class at the gym. Her latest hobby is writing, and she has had some articles published in StatusLA Magazine. She says her pet peeve is lateness, noting that in L.A. people are late a lot because of the traffic. She also likes things neat, clean and organized; is addicted to news; and is obsessed with the TV show Downton Abbey. Despite her busy schedule, she also tries to come back to Hawaii three or four times a year. "Maybe when I'm older (I'll move back)," says Anapau, who is single. "Right now, I just feel like there is so much I want to do, and L.A. and New York are definitely the places where a lot of that is available to me."

From Hilo To Hollywood — And Lovin’ It

Reinventing The Taxi Business

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Reinventing The Taxi Business

EcoCab uses hybrid cars, hires its drivers, trains them in customer service and provides tablets in the backseat. It's a new way to ride It all starts with an idea, right? Find an existing product and make it better. Edison got tired of a drafty, old house always extinguishing his reading illumination, and Ford got tired of the smell of horse manure. For David Jung, he got tired of the entire taxi experience: taking the "scenic route," odorous cars and less-than-knowledgeable drivers. So rather than complain about it, he decided to do something - and that something came to life Sept. 1 in the form of a shiny new local company named EcoCab. "There is one consistent deficiency over the past 20 years in Honolulu, and that has been ground transportation - and specifically the taxi," says Jung, who moved to Hawaii in 1989 to practice real estate and corporate law. "It was really apparent that was one area I could really make a difference in." The taxi business may seem like a leap for an attorney, but as he watched the transformation of Waikiki in recent years, he felt that itch for a new challenge in his life. "I always said I wanted to do something before I turned 50, and I turned 50 this year," says Jung, who retired from his position as executive vice president with Hilo Hattie to pursue this foray into the people-moving business. "I wanted to do something customer service-oriented. "I saw how the tourist industry as a whole was positioning Hawaii as a world-class tourist destination, from retail to lodging to food and beverage. All phases of hospitality have been upgraded over the past couple years. We need to elevate the standard of taxis for the tourists - cabs are the front line, they are one of the faces of Hawaii tourism." His business plan was simple: Change the paradigm of the cab business. Up until now in Honolulu, cab companies serve only as a dispatching service - you call a Frank De Lima-sung batch of numbers and they call one of their independently contracted cars to pick you up. Every dollar that driver charges you goes into his or her pocket, giving them all the incentive any of us would need to take their time and the long way home. At EcoCab, Jung has brought drivers into the company, offering them a position as actual employees and the security of an hourly wage. "It costs us substantially more to have our drivers as employees as opposed to independent contractors, but if you are intent on controlling quality, you don't really have a choice," says Jung, who has 11 cars now but hopes to expand it to 25 by December. "If they are independent, they are in it for themselves. "Our employees earn their salary and their tip, but if you ask our drivers to take you from point A to point B, anecdotally, our fares will be 10 percent to 20 percent less because our driver will take you on the most direct route, because the fare itself goes into the company's pocket, not their pocket. Whereas an independent contractor will catch every stoplight, etc., because there is a built-in incentive to maximize that fare." Despite the added overhead generated by its employee-driver philosophy, the company has kept its flag drop and per-mile rates the same as the big boy cab companies in town. The name EcoCab comes from the fact that the entire fleet is made up of brand new Hyundai Sonata hybrids, which Jung says create half the carbon footprint of typical cabs. "The eco movement is no longer a fringe movement, it is totally mainstream," says Jung. "It is something that everyone practices all the time. Clearly there is a market demand for anything eco, especially if it makes sense. "But being hybrid is not our singular distinction - our greatest competitive advantage is our customer service. We are not just drivers, we are tour guides." All EcoCab drivers are put through a four-week training course that prepares them not just for the driving tests they must pass, but the service requirements that Jung expects from his drivers. They also are given rudimentary Japanese and Korean language lessons, classes in Hawaiian culture and even lifesaving skills such as CPR. Most of the 36 drivers are young people in their 20s and 30s, and all but one of them have never driven a cab before - and that was a deliberate choice. "We wanted to start them from scratch because old habits are hard to break," says Jung. "I have seen the habits of existing drivers and I did not like it. We wanted to get a clean sheet of paper." Changing the public's perception of the cab driver also is something he hopes to do with his new philosophy. "The one thing I truly want for them is to be respected," says Jung, who outfits drivers in Dri-FIT polos with an EcoCab logo. "The taxi industry has become the profession of last resort, for some reason, but we are doing something really important. "FedEx and UPS guys are really respected, and they are hauling around packages. Our guys are hauling around live human beings - someone's daughter, someone's wife. It is a very important job, and my drivers need to be respected, but they must earn that." He trains them to earn that respect by bringing back the lost art of courtesy. His drivers open doors for their guests, hold an umbrella over them in the rain and even pull up all the way to the hotels or houses rather than wait at the bottom of driveways. These old-fashioned manners are catching the eyes of the local high-end hotels, with Modern Honolulu signing on as EcoCab's first big commercial account. "We want to continue the hotel experience. They are receiving world-class customer service, and that experience should not break when one gets into a cab," says Jung, who outfits each of his cabs with a tablet for the guests' use, as well as Wi-Fi. "It should be a continuation of that experience - that is the emphasis to our drivers and our commitment to the hotels."

Reinventing The Taxi Business

Back On His Feet After Losing His Legs

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Back On His Feet After Losing His Legs

Kaimuki High grad Brian Kolfage brings a message of determination and hope to a Navy League audience Brian Kolfage says he was nothing special, just an ordinary airman. If that's the case, the Air Force recruiters are doing one hell of a good job. Kolfage, a Kaimuki High School graduate, returned to Hawaii to speak at Navy League-Honolulu's annual Sea Service Awards luncheon. The ceremony is typically highlighted by inspiring individuals chosen for their accomplishments or inspirational stories. None better fit than the medically retired airman. Kolfage is a triple amputee whose legs were "liquified" - as he describes it - when he was struck by a 107 mm rocket while deployed to Iraq. That he survived was impressive enough. That he is the first person to walk after suffering his level of amputation, and that he did so with the same determination and carefree attitude he showed surfing in Hawaii and playing hockey in Michigan, is what makes his story particularly remarkable. In 2004, Kolfage was stationed in Kuwait during his second deployment in as many years when the call went out for 13 servicemembers to transfer to Iraq's deadly Sunni Triangle. Bored with his current assignment, he volunteered. "There is nothing going on in Kuwait. It was like an ordinary 9-to-5 job doing something stupid like inspecting stuff and security, but there is nothing going on. It's like America," says Kolfage with a mixture of comedy and matter-of-fact calm that seems to identify him. In Iraq, however, enemy attacks against the base were almost daily occurrences. At times, some 15 rockets and other deadly devices would be launched into the base, which was located in Saddam Hussein's stronghold. "We used to get shelled all the time. It was no big deal." Mostly, the projectiles fell harmlessly away from their human targets, but on Sept. 11, 2004, the rockets found their mark. Had he not been just minutes from medical attention and if not for the quick actions of his comrades, the outcome could have been much different. "If I was off base I'd be dead," he says. "That's why most people don't survive these injuries." The explosion threw Kolfage against a wall 20 feet from where he'd just been standing. His mouth and ears were full of sand but he felt no pain, at least not immediately. In fact, he thought he was hallucinating, a common side effect of the anti-malaria medication he was taking. Then reality set in. "It was the worst pain I ever felt," he says. "I thought my body had been split in half." It basically had been. "I remember being on my back and seeing the American flag and all the doctors were around me. The look on their face was horrified." Photos of the damage taken by doctors moments after the attack showed the gruesome details. What had been Kolfage's legs were two massive open wounds, which resulted in so much blood loss that even after the first successful surgery, the prognosis wasn't good. A chaplain was sent to his parents' home where they were told to make immediate plans to fly to Walter Reed Medical Center in Washington, D.C., most likely to say goodbye to their 22-year-old son. After being stabilized, he was flown to Walter Reed, where he was put into a medically induced coma. Over the next year he would undergo 16 surgeries and more than 18 months of rehabilitation. "When I realized I was hit by a rocket, I was pissed," says Kolfage, who had a scholarship offer to play hockey at Michigan State, which he planed to pursue once his enlistment was over. "I mean, who gets hit by a rocket? I think I was pissed by how it went down. I was just minding my own business walking on base going to work out and boom, my life is changed forever." But not really. One of the things he discussed in his speech was that he does everything he had before, just in different ways. He surfs, kayaks, dives, and he even went on a ski trip, where the sheer speed of the run convinced him he was better suited to other athletic pursuits. "I was going down the mountain, I don't know how fast I was going but it was fast, and I was thinking, 'What the hell am I doing? I'm gonna kill myself.'" Kolfage quickly recovered at Walter Reed, astonishing everyone involved in his treatment. More important, the determination and the positive attitude that helped him then, and does so today, was intact and given a boost by someone worse off then he. While at Walter Reed, Kolfage witnessed another Wounded Warrior who after suffering a massive head wound, was reintroduced to his family. The young man looked upon his family as strangers, unable to recognize even those closest to him. At that moment, Kolfage realized how lucky he was. "When I saw this, I forgot I lost my legs, my hand. I have my mind and I know who my family is. I decided to do the best I could to move on. I think it allowed me to get over things faster. I was kind of fine to begin with, but when I saw that it really put the nail in the coffin." Most important to his recovery was his 2010 wedding. "One of my proudest moments was marrying my wife, Ashley, and being able to dance with her - being able to dance with her at our wedding was awesome. I think it was a part of the rehab process." Kolfage met the former Ashley Goetz in 2001 when he was stationed at Goodfellow Air Force Base in San Angelo, Texas. She was the pretty young hostess at Chili's and he a cute but, in her words, cocky, young man almost straight out of high school. He told friends that she was the girl he was going to marry. He was right. It just took another 10 years. The pair had mutual friends and had hung out, but romance was still to come. Ashley had a boyfriend and Brian was doing his own thing. In 2003 he deployed, and after his second deployment they lost touch. After moving to Arizona to take a job in the security field, he reconnected with Ashley on Facebook and invited her to visit. "I was thinking, I had never met a guy with no legs, no hand and I wasn't sure if he was the going to be the same person," says Ashley, a part-time second-grade teacher and model. "But once he picked me up I knew this was the same guy I knew a long time ago. It was easy to look past his injuries. He was just like 'I'm the same guy. Let's do this or that. Let's get into the hot tub and have fun.'" Brian had his health and the girl of his dreams, so it was on to the next challenge: architecture. The program at University of Arizona is competitive. Every year some 300 undergrads try to enter the program and only about 50 get in. Most never have the additional difficulty of trying to draw with their opposite hand. Brian lost his dominant hand in the attack and had to teach himself to draw, tie strings and build the necessary models that any future architect must master. "He wants to be the best in whatever he does," says Ashley. "So when he first started architecture school, he said he wanted to be the best. He didn't want to be mediocre. He'd be up until 3 or 4 in the morning and I just wanted him to come to bed, and this was when we first started dating and I'd get frustrated." Ashley wasn't selfish, she was concerned. Brian would sometimes work 20 hours a day to accomplish his goal and she was worried it might be too stressful. But the persistence paid off. Not only was Brian accepted, he was one of the top five students to get in. "It was a huge milestone for me," he says. Brian will graduate in spring 2014, and he and Ashley are trying to start a family. He also will continue to spread his simple and appropriate message. "What is a disability? I do the same things I always did, just in different ways," he says. "You adapt to it and you move on with life." And even prosper.

Back On His Feet After Losing His Legs

The ‘Pearl Harbor Avenger’ Turns 70

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The ‘Pearl Harbor Avenger’ Turns 70

The submarine christened exactly one year after the attack on Pearl Harbor served heroically in WWII, and today proudly carries on a mission of education and remembrance She may be past her prime, but the old gal has never looked so good. Even after a long career in Hollywood and hosting some 1,000 visitors a day, the USS Bowfin has never shined so brightly. Her long life is testament to the hundreds of caregivers who have turned the once moth-balled submarine into a floating museum and memorial for all those who served in the Silent Service, whether in peace or during times of war. This was an important caveat to taking ownership from the Navy, which required the Bowfin to be maintained in a manner befitting a U.S. Navy vessel and heritage of the submarine service. "The Bowfin has been here since 1981, and we've taken what was essentially a dump from the Navy and turned it into this beautiful park, and we're getting ready to welcome our 7-millionth paid visitor." says Gerald Hofwolt, executive director of the USS Bowfin Submarine Museum and Park and a former submarine commander. "That's really a success story when you consider how the economy has gone up and down. We have created this facility through the work of a lot of different people with a lot of different visions." After the attack on Pearl Harbor, the U.S. submarine service was called on to take the fight to imperial Japan while the rest of the Pacific fleet recovered from the nearly disastrous blow. Within days of the attack, U.S. submarines were steaming toward Japan in the hunt for targets that would not only hamper Japan's war effort but strike a decisive blow to its national economy. They accomplished both with astounding efficiency and bravery. It wasn't an easy mission. Torpedoes at the time were woefully inefficient - they either ran too deep to be effective or simply failed to detonate. Of the 21 boats (the Navy's term for submarines) that were stationed at Pearl Harbor, only 11 were considered fit for combat duty. Yet the crews went charging out against a dangerous enemy on missions that would take the lives of one of every four submariners. Though comprising just 2 percent of the Navy's inventory, submarines accounted for 30 percent of all Japanese ships sunk during the war, including eight aircraft carriers, one battleship and 11 cruisers, and more than 60 percent of the Japanese merchant fleet. The Bowfin was one of those heroic platforms. Launched exactly one year after the attack on Pearl Harbor and nicknamed the "Pearl Harbor Avenger," the Bowfin sank 16 enemy vessels. So impressive were the accomplishments of the 220 men who manned the ship during its nine war patrols, the ship was immortalized in the 1957 movie, Hellcats of the Navy, which was loosely based on the exploits of the Bowfin and the eight-sub "Wolf Pack" it was a part of that wreaked havoc on Japanese shipping. That's the story the museum tells, and it's not an easy one to put together. None of the 52 submarines lost in World War II have been recovered, nor do we know where they came to rest. It's the same with most of the 3,600 submariners who are entombed in the vessels. It's because of these reasons that Bowfin is so important. "We tell the Navy's stories, we tell the Navy history, we really define for the public the cost of freedom, and that's the mission we serve," says Hofwolt. "It's to bring to the public the high cost of defending freedom in the far reaches of the world where there are bad people. It doesn't matter if it's history or now, we still tell the component cost being paid for by the young faces on our walls. You can take pictures of submariners, servicemen, soldiers, Marines, their faces would fit right in with the faces on our walls. The 19-, 20-, 22-year-olds are the ones who are on those squads, in those ships and in those planes." This year marks Bowfin's 70th anniversary, and the museum is using the occasion to reintroduce itself to the public by offering half-price admission to adults and free admission to kids under 12. There is a photography contest for high school students. And its 7 millionth visitor, who should cross the bow this week, will receive a long weekend for four on Maui, airfare, hotel, rental and even some spending money. Also, until Dec. 8, visitors to the park can meet Bowfin veteran Dr. Robert Beynon, who was aboard during its final two tours of duty during WWII and who will autograph his book, Pearl Harbor Avenger. For more information on the photo contest and all anniversary events, go to the website, bowfin.org. If you haven't been to Bowfin or any of the other attractions at Pearl Harbor in a number of years, you'll be surprised by the changes. Gone are the long lines, lack of accommodations and fences segmenting the area. The area now resembles an open park with plenty cool places to rest, things to eat, spectacular views of Pearl Harbor, museums, gift shops and the Waterfront Memorial, which is a quiet spot for reflecting on the history of the area and on those who made the ultimate sacrifice. Access has never been easier. Entrance to the park is from a single location and tickets for any of the attractions, whether the Arizona Memorial, Bowfin, USS Missouri or Pacific Aviation Museum can be purchased from a single area. "The four of us, with the National Parks Service, have really created a consortium," says Hofwolt. "We meet weekly to discuss issues. This year we created a site called recreation.gov where you can now, for the first time, can get tickets to the Arizona Memorial for a specific time and date. What we are doing at this weekly meeting is to look at how we can outreach to the public to make the public's tour more enjoyable, more meaningful and more educational." Visitors can also choose from all-day passes, which allows them to visit each of the attractions, or tickets to individual sites. Just as the mission of the museum is to celebrate the past, Hofwolt says it is critical to plan for the future. One way is to further improve the visitor experience at the museum. Already, customers get free audio tours of the submarine, but plans are being made to increase the museum space to tell the story of the submarine service beyond WWII and into the Cold War. In addition to its education mission is a scholarship program for Hawaii-based submariners and their families. "My predecessor, Capt. Harvey Gregg, had started a scholarship program in 1985 that began giving scholarships to the children of submariners. There is also a continuation program that provides scholarships to the wives and active duty submariners. We were taking money from our operations account and with the help of the board of directors we've created an endowment that has grown to $600,000." With such efforts in place, Bowfin's next 70 years may be as important as its first 70.

The ‘Pearl Harbor Avenger’ Turns 70


Using The Law To Assist Immigrants

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Using The Law To Assist Immigrants

Mark Twain once remarked, "History doesn't repeat itself, but it does rhyme," and this sentiment can be seen most plainly in our treatment of immigrants in this country. While each of us has immigrant roots in our family, we seem to forget our own histories and treat subsequent immigrants as shabbily as our forefathers were treated. The English castigated the Irish, Italians and Poles, who turned up their noses on the Japanese and Chinese. Now the ire has turned against the Hispanic population. Locally, where even Native Hawaiians actually arrived on boats, the newest group to experience this discrimination is the Chuukese or Micronesians, who often have their legal rights trampled, rents unfairly raised and are profiled - such as when Darrell Wong of the city prosecutor's office earlier this year asked for the harshest sentence possible to "send a message to the Micronesian community." One young woman has heard enough of this historical poetry and is doing her part to change the storyline. Her name is Dina Shek, a UH Richardson Law School graduate, conservatory-trained cellist and - most important to her - daughter of two immigrants. In 2009 she formed the Medical-Legal Partnership for Children in Hawaii, which works out of Kokua Kalihi Valley community health center to provide an advocate and counselor for this severely underserved community. She likes to think of it as "preventative law" in that, if she can help them early on, they can prevent big legal entanglements down the road. "In the beginning, I used to hear a lot of, 'She's not that kind of lawyer,' because low-income families rarely get lawyers unless something bad is happening," says Shek, who moved here from San Francisco about a decade ago. "But within six months, families were saying, 'Hey, the lawyer lady is here'! I tell them to ask your questions early, don't ignore your mail, it is OK if you don't know, come ask us for help. A lot of the informality of the families (extended family raising children) isn't a problem until it is a problem - they will try to enroll the kids in school or sign up for health care and they don't have the guardianship or the power of attorney, so we will intervene to make sure they have the right documents." The idea of a legal-medical cooperation is not new to the country - Shek modeled hers after Boston Medical Clinic, which opened in 1993 - but it is the first in Hawaii. While it makes sense to bundle these two types of aid, historical animosity often has prevented such interdisciplinary collaborations. "We would see a lot of professionals, and the communication would just not be there," says Shek, whose office is nestled between the two Kuhio Park Terrace towers. "But for us it is really important, especially with doctors and lawyers who are traditionally seen as at odds, but when we are focused on families, everything changes." A lot of the services they provide would seem below most lawyers: help with the reading of letters, enrolling kids in school and even just sitting in on phone calls. But Shek says that it is amazing how different a response they get when they know a lawyer is involved. "I tell all my law students, we often act more like social workers than attorneys, so don't expect that all of your work is going to be your perception of what a lawyer does. But this is the 'counseling' part of being a counselor," says Shek. "You are trying to shore them up so these problems don't become bigger problems." This philanthropic bent toward other immigrants came to her when she was working as a community organizer in San Francisco at the turn of the millennium. It was her job to orchestrate the Day of Remembrance celebration that marks the memory of Japanese internments and redress. Her mother was interned as a child, and the shoddy treatment of the Japanese during World War II had always struck a chord with her. But in preparing for the celebration she realized that something was not right. Though her people had found their place in American society, there still were others who were being treated unfairly. So instead of a commemoration of what the Japanese-Americans had accomplished, she changed the theme to "Remembrance Through Action," exhorting the crowd that "even though we had rightly fought for and achieved redress, there's so much more that we need to be doing for others in fighting for justice." She didn't know it at the time, but just this slight change in her perception altered the entire arc of her life. The responsibilities of the people who have risen up was not to lord over those who have not, but rather to extend a hand to help others join them. "We are trying to fight for justice, fight for the tenets of democracy - pushing society so that it is a better community," says Shek, "and a lot of that comes from my family history and knowing how far the Japanese-American community has come through social justice work, and wanting to be part of that legacy." The biggest obstacle she has currently is financial, though she has been blessed with grants from the likes of Hawaii Justice Foundation, Hawaii Community Foundation and William S. Richardson School of Law. She still is about $80,000 short of what she needs by the end of the year to keep aid at its current level. The easiest way for people to help is through the UH website at law.hawaii.edu/mlpc, where they have a click-to-donate button. Regardless of these obstacles, Shek plans to keep moving forward, eventually hoping to have a medical/legal partnership at all 13 community health centers across the state. "Everything in my life has built up to this," says Shek. "This is my baby that everything I have learned is to coalesce around. My parents unfortunately taught me I could do anything I want. My mother always laments, 'You have how many degrees and this is what you make?' "But I don't think I would be happy doing anything else."

Using The Law To Assist Immigrants

An Unlikely Leader In The AIDS Fight

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An Unlikely Leader In The AIDS Fight

Paul Groesbeck wasn't what the Life Foundation was looking for 20 years ago - for starters, he's straight - but he was exactly the right guy The fervor and clamor over the AIDS epidemic has changed a lot over the past two decades. What was once on the cover of Newsweek more than a dozen times is now relegated to a smattering of red ribbons worn earlier this month that many of us mistook for symbols of support for MADD. The disease that in the mid-1990s was the No. 1 killer of people 25-44 years of age, surpassing even cancer and accidental deaths, has had its mortality rate slashed like AIG stock by a staggering 700 percent thanks to HAART - or as it is more widely known, the AIDS cocktail. While it does not cure the disease, it has allowed those stricken by it to continue long, productive lives. But the disease has not gone away, and there are 4,200 diagnosed cases of AIDS in the state of Hawaii today with just fewer than 1,000 new cases being discovered every year. During this tumultuous and positively trending time, there has been one man at the helm of Life Foundation, Hawaii's largest provider of aid to those suffering from the infection - Paul Groesbeck. When he joined the organization in 1992, it had 306 clients, of which 100 died within the year. This year, of the 715 it's helped, only 15 have succumbed to the disease. He was as unlikely a man to find at the forefront of the fight against AIDS in Hawaii as the man who became the national face of the disease around the same time, Magic Johnson. When the very heterosexual NBA star announced his infection in 1991, he changed the paradigm of how we thought of the "gay disease" and whom it would affect. The same could be said for Groesbeck. He didn't match any of the hiring committee's preconceived criteria when looking for someone to lead its organization. For starters, he was a straight, married man with a law degree from Boston, who specialized in the civil rights of the poor. "Although he was not who we were expecting," says Dr. David McEwan, who led the hiring committee along with Hula's Bar and Lei Stand owner Jack Law, "it seemed as though he was expecting us. He was calm, peaceful, and unthreatened by the huge task we were putting before him. "He was principled, and the type of man who put those principles into action. We left the interview feeling impressed and grateful that he would consider the position. Life Foundation was, and remains, near and dear to our hearts, and we would never entrust it to someone we didn't truly believe in." Groesbeck had been applying for law positions at the time he answered the ad, and while this did not fit exactly into what he had done for half his life, he saw a place where he could help. "I had always worked in civil rights, and they were looking for the same thing we are all looking for: a level playing field," says Groesbeck. Life Foundation, which was founded in 1983, is different than many nonprofits dedicated to diseases in that it is in no way associated with searching for a cure for AIDS, but rather assists those who already have been infected and works to prevent the spread of HIV to those who have not. The prevention end of its work comes through education and testing. They speak to schools, churches and social groups about not just the dangers of the disease, but how they can keep themselves safe. Unfortunately, schools will not allow Life Foundation to distribute the materials that would help keep kids safer. "None of the schools in Hawaii is allowed to distribute condoms - there are arguments on both sides of it," says Groesbeck, who is a father of five and grandfather of four. "As a parent, you want them to wait, but clearly that can't always be the case. If young people are going to be sexually active, we should try to arm them with as much information as possible and indicate to them where they can get safe-sex materials." This is not to say that Groesbeck wants to see a big candy bowl full of condoms at the front door of every school, but the connection between giving kids access to protection and an outbreak in sexual experimentation holds no water for him. "The argument that if you distribute condoms it will make kids want to have sex more is the same one the car manufacturers used to make about why they couldn't put seatbelts in cars because then people will think that cars are unsafe," says Groesbeck. "Both arguments make no sense. We are not here to encourage them to have sex, but keeping them safe is the important thing." For anyone who would like to take a test, Life Foundation provides complimentary and anonymous testing at its facility at 677 Ala Moana Blvd., and it uses the new Rapid HIV test so that what once took weeks to get a result now can be known in less than 15 minutes. For those who are found positive, Life Foundation provides caseworkers to assist them in the process of getting to the right physicians. Currently, it assists more than 700 HIV-positive patients, all at no cost to the client. This assistance is so important because of the stigma still attached to the disease, says Groesbeck. The foundation has found that some people would rather keep it a secret until it is too late because of the shame they feel over the disease. He realizes - because it is a primarily sexually transmitted disease - that it will always be out of the mainstream in most people's minds, but he wants to make sure that people know Life Foundation is there to get those infected through this dreadful, but now not necessarily deadly infection. "We try not to be too judgmental," says Groesbeck. "We want people to be safe, and we don't think people should have to pay the ultimate sacrifice just for having sex."

An Unlikely Leader In The AIDS Fight

An Injury Ends On A Happy Note

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An Injury Ends On A Happy Note

Mike Izon was serious about tennis until a back injury took him out of the game. So he traded his racquet for a guitar, and it's a good thing he did There's no doubt that singer-songwriter Mike Izon is all about his family, which he says is the inspiration behind his love of music - despite never taking a lesson. He credits much of his work ethic to mother Michelle and father Zachary, who suffers from Lou Gehrig's disease. "My dad has always been an amazingly focused guy," says Izon, a 2008 graduate of Leilehua High School. "He used to play in bands, but now he is unable to because of his illness, so I want to (perform) for him." The rest of the Izon ohana also is very involved in music. Izon claims that many of his family members are musicians and/or singers, so being around music on a constant basis allowed his talents to thrive. This Whitmore Village resident has taken his love of music to the national stage to win Kollaboration's Star 2012 Finale Nov. 16 in Glendale, Calif. He competed against six others from different cities around the U.S., and had the opportunity to represent Kollaboration (a nonprofit organization that serves to provide Asian and Pacific Islanders a platform on which they can showcase their talents) at the 2012 MNET Asian Music Awards (MAMA) in Hong Kong, where he performed Set Fire to the Rain by Adele. "I got to walk down the red carpet," Izon explained. "The fact that it was in Hong Kong was awesome in itself. I can't believe I got to be a part of something so huge." Izon competed in the first Kollaboration Honolulu competition Aug. 18 at Mamiya Theatre, and his success there propelled him to the national competition. "It was an amazing shock to me that I made it to the finals (in California), but it goes to show you, believing can go a far way ... and votes, as well," he says. But for Izon, winning wasn't the only great thing. MNET and Kollaboration flew his parents to California to see the show, and that was the best part of all. "I can't explain how happy it made me feel," Izon says. His life has taken many twists and turns, and it was his experience playing tennis while at Leilehua High that changed his life. The well-rounded Izon played football during his freshman year of high school, but admits he was never good at it. He then made the transition to judo, and then tennis, which he played until his senior year. "I was pretty good at it and I loved the challenge of it," Izon recalls. "But then in 2009 I found out that I had two slipped discs in my lower spine." A year later he lost the ability to use his left calf and could no longer run. While recovering from surgery in 2010, he picked up his guitar and honed his skills as a vocalist and musician. "Without the injury to my back, I wouldn't be playing music as a serious thing," he says. "In a way, I'm almost thankful for that injury to my back." And he hasn't looked, well, back. Before his national appearance last month, Izon was a working musician trying to nab as many gigs as possible, whether it be at parties, weddings or bars. And while he wasn't playing regularly at a local establishment, he still was singing, playing and recording. On Oct. 9 he released his first album, Book of Cliches, which is available on iTunes. You also can hear his music on his YouTube channel (eyeson-mike). Now that he's back home, he plans to work harder than ever. "I want to let everyone in Hawaii know who I am, what I stand for and that I'm hungry for more," says Izon, who is planning tours of the Mainland as well as Asia. For now, he's playing at venues around Oahu, and those interested in seeing this national star perform can check him out on Facebook. He'll be playing Dec. 28 at Tobura Art Gallery in Waikiki from 7 to 9 p.m. "I enjoy that you can take any emotion, any feeling, and put it into a song and change someone's life forever," says Izon, who has been singing since he could make noise. "I am super lucky to do what I love for a living."

An Injury Ends On A Happy Note

Bringing The Ocean Alive For Keiki

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Bringing The Ocean Alive For Keiki

Johnson Enos of Kaneohe grew up surfing and swimming, and now turns his love of the sea into a children's musical, Honu By The Sea Johnson Enos is on the crest of a wave that is taking him places. The Waikiki beach boy-turned-composer/songwriter is making a splash in the music world. Proud of his Hawaii roots, the Castle High School graduate works with show biz honchos in Los Angeles and New York but retains an island flavor to his music. Two major projects - a children's musical called Honu By The Sea and a new CD release titled Lehua - are his latest achievements. We catch up with Enos in Waikiki at one of the rare times when he's not surfing or paddling in the ocean. As we chat at Sans Souci, he reflects on his childhood splashing around the Waikiki Nata-torium. "This is where I swam and spent many hours surfing at the beach," he says. "The ocean is our front yard. It connects Hawaii with the rest of the world." It's no surprise that his first major musical tells the story of ocean creatures and the importance of marine conservation. Honu By The Sea, a workshop play, had a summer run at The Royal Hawaiian's Monarch Room last year. A touring company makes a promotional trip to Seattle Jan. 18-20 in connection with the Oahu Visitors Bureau, Waikiki Aquarium and Seattle Aquarium. Cast members, in sea creature costumes, perform numbers composed by Enos. The family-friendly show features denizens from the sea encountered by a Waikiki beach boy, who learns the value of friendship and the virtues of saving the ocean environment. Audiences meet Hoopy the monk seal, A'ama Crab, and Hula Hoop, the coolest octopus in the sand. O, Pi and Hi - you guessed it - are delightful little crustaceans. The original cast of 15 were trained and directed by Enos' high school theatre coach Ronald Bright. "This is a homegrown show by, for and about Hawaii," Enos says. "I noticed there was no children's show in Waikiki, and the concept for Honu By The Sea came to me as I sat on the beach watching surfers at sunset." Locals can catch a 20-minute version of Honu By The Sea at Waikiki Aquarium Saturday, Feb. 2, at noon. Costumed cast will be available for photos. The show is included in general admission to the aquarium; kamaaina rates are available. As the concept for Honu evolves, the 49-year-old Kaneohe resident hopes to add more characters and new songs. Honu eventually will take on an international flavor featuring sea creatures from South America, Asia and Europe. Reminiscent of Disney-Pixar's film Finding Nemo, one wonders with Enos' established show biz connections how far Honu can go. He cites interest by DreamWorks in possibly turning Honu By The Sea into an animated short film. Enos' connections with Disney date back to 1986, when he auditioned and was hired as a singer at Disneyland-Anaheim. "My boss was a mouse," he says with a smile, referring to Mickey. Doing five shows a day on Main Street, he'd often spot Hollywood celebrities such as Dustin Hoffman and Tom Cruise with their families in the audience. Collaborating with Disney's Imagineering division, Enos got firsthand experience in planning and producing major shows. His songwriting and composing talents soon were noticed by music artists and their representatives. He has done arranging and vocals for Bette Midler and Kristin Chenoweth, among others. His credits also include work on Disney Aulani Resort's national commercial and the movie Lilo & Stitch 2. Enos' recording and film connections benefit his Hawaii-based projects as he opens the doors of opportunity to island talent. He layers his musical pursuits with ocean conservation awareness as a give-back to the community. After all, Enos admits, he's just a Waikiki beach boy at heart. That might be so but it doesn't keep Enos from dreaming big and catching waves in the complex, competitive world of music. Will he become the Jacques Cousteau of music? Running three companies from offices in Honolulu and Los Angeles, Enos hasn't forgotten the joy of being a performer himself. His third and latest recording, out this month, is Lehua, with a mix of island classics (Blue Hawaii, Pearly Shells, I'll Remember You) and original compositions (K Bay and Kua Pua'ala). K Bay celebrates the languorous attributes of Kaneohe Bay. Kua Pua'ala (My Fragrant Flower) is inspired by his mom Aileen Enos. Each is nicely arranged, including a grand intro - complete with ocean sounds - to Blue Hawaii. The sleeper selection, however, could be Enos' simple and melodic rendition of the Sinatra hit My Way. It seems prophetic of his music career as he approaches projects with Disneyesque creativity and a touch of island magic. His way. Enos' latest CD "Lehua" is available at mele.com and cdbaby.com.

Bringing The Ocean Alive For Keiki

Jail Adventure Of The Ninja Dancer

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Jail Adventure Of The Ninja Dancer

A martial arts prop to be used on a televised dance competition landed Hawaii's Cole Horibe accidentally in one of L.A.'s worst jails Dancer Cole Horibe makes a lot of leaps in life. Most of them are performed in dance moves, but an incident left him up in the air and in trouble with the law. It could have been a dramatic stumble in a promising dance and acting career. Horibe's story is part Chorus Line and part Enter the Dragon. He is a dancer trained in Asian self-defense who has mastered a self-styled genre he calls martial arts fusion. "I'm a walking cliché," he says. "I'm an Asian male who's a martial artist." Horibe's Facebook profile states he's "a ninja who uses dancing to surreptitiously disguise his assassination techniques." The producers of So You Think You Can Dance (SYTYCD), the Fox-TV dance show in which Horibe competed, call him The Karate Kid. As a dancer, his intense focus and discipline have served him well, both on stage and in life. He has met challenges with an inner strength that translates into physical might. As he steps and conforms his body to choreographed dance movements, SYTYCD judges gasp with amazement at Horibe's strength and agility. "Stunning," says Nigel Lythgoe. "Your legs are lethal and lightning fast," exclaims Mary Murphy. "Spectacular," hails choreographer and director Rob Marshall at an audition. Exceptional dancing earned Horibe top 6 ranking before being eliminated from SYTYCD Season 9 competition. Little known to viewers is that the Honolulu resident almost didn't make it past his solo audition in Los Angeles because of an airport security misstep last March. An aspiring actor, he now knows that life is not scripted, nor neatly choreographed. It started innocently enough, when 26-year-old Horibe prepared to board a flight from Los Angeles to Honolulu, after auditioning for the nationally televised dance contest. He took a nunchaku (or nunchuk) as a dance prop. Nunchaku (nuhn-chah-koo) is a traditional Okinawan weapon consisting of two sticks connected at one end with a short chain or rope. The fighting device that is swirled and twirled by precise wrist action was popularized by martial arts actor Bruce Lee in his movies. In four states - California, Arizona, New York and Washington - nunchaku are termed lethal weapons and subject to criminal prosecution if found in one's possession outside of a dojo or martial arts studio. When the karate fighting sticks were detected in Horibe's carry-on bag, he was detained by Los Angeles Airport Transportation Security Administration (TSA) agents and later taken by police, who handcuffed him to a chair for five hours while processing his arrest at a jail in Culver City. "It never crossed my mind that they might be illegal," Horibe says. "I placed the nunchuk in my carry-on bag and in my haste, forgot to transfer them to my check-in luggage." What ensued at the Culver City jail seems like a scene out of reality TV, as Horibe awaited his fate while isolated in a holding cell. The mild-mannered Kalani '03 grad with no criminal record couldn't believe the drama that ensued, including being advised by a SYTYCD representative that it is against FOX network rules for a felon to appear on the show. His chances to dance in the national competition, after a triumphant audition in L.A., seemed dim. The Japanese-Korean-Russian dancer, whose ancestors are samurai, approached this challenge with the soul of a fighting hero. Since he was a child, he has met personal attacks courageously. His mother, Wanda Horibe recalls how calmly and bravely her son handled an incident in kindergarten at Kahala School when a bully stabbed him in the head with a pair of scissors. "This was Cole's traumatic introduction to elementary school," his mother recalls with trepidation. That indomitable spirit prevailed as Horibe quietly waited in the Los Angeles jail cell to be cleared for what he thought was a minor incident. When matters seemed to get worse, rather than better, Horibe retained legal counsel. "My legal strategy was to explain to the prosecutor that the nunchakus were being employed for strictly theatrical or entertainment purposes," says attorney Mia Yamamoto. "I asked for and was given a city attorney hearing, which is something akin to a mediation, and which allows for the non-filing of the charge and no prosecution despite the arrest." Horibe was able to return to the Islands and resume his quest for the dance championship. But he is not likely to forget his tangle with criminal justice. Horibe's advice to travelers is to do your homework. There is a list of prohibited martial arts and self-defense items on the TSA website (tsa.gov). Nunchuk is a no-no, along with billy clubs, brass knuckles and throwing stars. Besides the four U.S. states mentioned, countries including Canada, United Kingdom, Spain and Norway also have outlawed several martial arts devices. So, to paraphrase that Johnny Cash tune, "Don't take your nunchuk to town, son. Leave your nunchuk at home." Thanks, Cole Horibe, for taking us through the dance.

Jail Adventure Of The Ninja Dancer

A Role Model For Local Talent

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A Role Model For Local Talent

It's a dream come true for Dawn Larson-Lord, as she launches Larson Talent, an agency for actors, models, makeup artists and hairstylists statewide After spending about five years away from Hawaii, local girl Dawn Larson-Lord, a 1989 graduate of Iolani School, has returned home to pursue her dream of making other people's dreams come true, particularly models and actors. With full support of her family - husband Christopher Lord, 14-year-old daughter Casera and 12-year-old son Kaziah - Larson-Lord started Larson Talent about a year-and-a-half ago and has gained name recognition quickly in the industry. Her models (both experienced and new) have been booking jobs consistently, including work with Disney Aulani, Pottery Barn, 33 Butterflies, a commercial for Mauna Loa chocolate and Adidas Neo, magazine covers and fashion spreads for Queens' Marketplace and Kings' Shops on the Big Island, and more. "I've always wanted to do this," says Larson-Lord, who was born and raised in Aiea, and currently resides in Kaimuki. "I just love what I do. I get excited when I find people (such as 19-year-old Naz Kawakami whom she spotted at a Kaimuki store and at his first audition was hired for an international commercial). It's exciting when they get booked and when I see them in commercials or ads." Larson-Lord discovered her passion behind the camera while working in front of the camera. A former flight attendant for Aloha Airlines, at age 19 she was approached by a passenger to perform at shows in Waikiki and to audition for a commercial for Wet Seal. She was hired for both, and that would be the start of her modeling career, signing with Amos Kotomori, followed by ADR and then briefly with Kathy Muller. She's appeared in TV shows Wind on Water and Baywatch; in commercials for Bank of Hawaii, Hawaii Visitors Bureau, Ward Centre, Island Escapes, Times Supermarkets, Panasonic and Hawaiian Sun; and countless print ads. However, she soon realized she wanted to be a casting director instead and eventually quit Aloha after four years to be an intern at Anna Fishburn Casting, and later became a booking agent at ADR Agency. She also sought guidance from and built relationships with various industry leaders, including glamour photographer Russell Tanoue, and pageant directors Eric Chandler and Takeo Kobayashi, whom she met while participating in pageants and with whom she traveled to Japan and China. She's held the titles of Miss Hula Bowl, Miss Koko Marina and Miss Honolulu, and was first runner-up in the Miss Hawaii USA pageant twice. She then got married, and her husband, a graphic designer and wine specialist, was offered a job on Maui, where they lived for a few years before relocating to Paso Robles, Calif., where she found work as an event coordinator at a winery. She also was busy raising their two children, and in her free time would find jobs for some of the models she kept in touch with. It was her true passion, and when they moved back to Hawaii, first to the Big Island and then Oahu, she decided it was time to make her dream a reality "My family is making a sacrifice right now because I'm not making as much money as I used to or can be, but they know that this is what I want to do, and they want me to do good," she says. "I'm getting older, so it was now or never. It was hard in the beginning because a lot of the companies don't know that I exist. We don't even have comp cards (for our models) or a website yet, but when people give us a chance, we book." Her advice to aspiring models and actors is to not give up and to become good at your trade. "Become like a sponge and absorb as much as you can," she says. "Learn as much as you can, and get yourself out there." Larson-Lord also plans to expand her agency to be a one-stop shop representing not just models and actors, but also makeup artists, hairstylists, wardrobe stylists, entertainers and photographers. She's continually seeking new faces statewide, and acting skills are a plus. Men, women and children of all ages are welcome. Email a few photos of yourself, including your height, measurements and skills (such as speaking a different language, talent, sports, etc.) to larsontalent1@gmail.com. For more information, visit her Facebook page at larsontalent.

A Role Model For Local Talent

Hawaii’s Renaissance Man

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Hawaii's Renaissance Man

The man behind the food and art at Cafe Sistina isn't stopping there, and recently finished murals for an Aiea church and at the Federal Building Sergio Mitrotti is a man for all seasons, a master of many disciplines who is as at home several leagues under the sea as he is tens of stories up on a scaffold, able to wield a paintbrush one moment and a chef's knife the next. Yes, Mitrotti is a true Renaissance man, and nowhere are his talents more prevalent than at his restaurant, Café Sistina. Patrons flock to the South King Street eatery on a near-weekly basis just as much for the food - an eclectic blend of flavors that span Italy's many regions, made of recipes from Mitrotti's mother and grandmother's kitchen as well as concoctions cooked up from his own imagination - as for the art. Frescoes cover every square inch of the interior, starting at the floor and expanding upward and onto the ceiling. Even the walk-way leading from the covered parking lot is made to transport diners to the holy Vatican City. The scenes come straight from the Sistine Chapel (hence the restaurant's name) and depict images well known to many, including The Creation of Adam, the prophetic figures Isaiah and the Libyan Sibyl, along with other Biblical tales that tell of man's long-storied struggle with good versus evil. These masterpieces, both gustatory and visual, are all the creation of Mitrotti, whose background is as varied as his venerable talents. Mitrotti was born and raised in the northern Italian village of Turin, a cultural epicenter of art galleries, restaurants, churches, theaters, museums, piazzas, gardens and other venues. And while this may seem prophetic for his station later in life, Mitrotti's first love was neither art nor food. Rather, it was - and remains to this day - the ocean. "I was always around the sea," says Mitrotti. "As a teenager I was kind of different from my peers in the sense that I was looking for experience in things, in the sea, in the ocean. My goal was to sail around the world by myself, and at that time, in the '60s, that was when sailing around the world was a real adventure." By the age of 18, Mitrotti had become Italy's youngest certified scuba master and soon was exploring the deeps using a homemade underwater camera system of his own creation. "I had a couple of boats and started going around doing underwater photography," Mitrotti remembers. "I was very good at scuba, at skin-diving, swimming. I got gold medals in freestyle. It was a life basically lived in the ocean." In the late '70s he crossed the Atlantic and headed west to California and Beverly Hills, where he operated the high-end retailer Madonna Man with his brother. "Madonna came to the store to check it out to see if we were stealing her name, but we started it before she started singing," Mitrotti says, with a laugh. "We were doing very well. I even got TV credit for the creation of the Miami Vice look," he adds. "The producer, Michael Mann, was my customer, and when he started the series he wanted me to create the look based on the look and the style I was selling." By 1987, however, the fast-paced L.A. lifestyle had lost its luster, and Mitrotti found himself craving a change. "I had been working in the spiritual field for many, many years as well, and I was told to get out and come to Hawaii," he says of the decision to settle in the Islands. "I came and didn't know what to do," Mitrotti continues. "I thought, open up another clothing store? No, nobody in Hawaii dresses up - wrong! But I didn't know this, so I opened a restaurant." Though not a culinary school graduate in the traditional sense (he actually holds a degree in lithography and typography), Mitrotti says he learned all he needed from his boyhood spent in the kitchen under the tutelage of his mother. "The family in Italy is really important, and the food is sacred," he says. "I remember being the slave for my mother, making ravioli, making fettuccini, and that actually turned out to be very good for me!" His first restaurant, the trendy Café Cambio on Kapiolani Boulevard, was an immediate success with local foodies but closed after a few years following a divorce from his former business partner. In 1991 Mitrotti rebounded by opening Café Sistina in the First Interstate Building. As a way of adding an extra helping of flavor to the space, Mitrotti painted The Creation of Adam on a wall of the main dining room. From there he added more, slowly elaborating upon the previous day's work in the lulls between heavy diner traffic. "I only wanted to do one painting, but then I got carried away," he says with a sly smile. "Painting is meditation. It's a challenge, there is an involvement there, and when I'm done it's almost like I ran 20 miles - my body aches, my mind is dull. "And when people say, oh, you know how to paint, I say no, because you never know how. It's a constant process of creating something that wasn't there before. It doesn't matter if I've done this and this and that; the next brushstroke is totally new." While he says Café Sistina always will be a work in progress, Mitrotti has completed two major murals outside his restaurant's walls. The first is of the Founding Fathers in the Prince Kuhio Federal Building, which took approximately three months to complete. The second is a tribute to Hawaii's Saint Damien of Molokai and Saint Marianne Cope applied to an outdoor wall of St. Elizabeth Church in Aiea. "I lovingly and jokingly say that I'm just like Michelangelo - I've served the state and I've served the church, serving the princes and the popes!" he laughs. Mitrotti was approached in early 2012 by a monsignor from St. Elizabeth with the offer to decorate the statues of Saint Damien brought in from Italy. The initial painting was so beautiful that the church's pastor asked that he complete the entire wall. Mitrotti obliged, putting the finishing brush-strokes on the massively detailed mural this past December. "Now they want me to do the interior, so that's what I'm going to do," he says. And as Café Sistina approaches its 22nd year of business this year, Mitrotti says he feels it's nearing the time to add a new chapter to his incredible life story. "My next project will be to take the boat I had wanted to take when I was 20 and sail the ocean solo," he says. "Maybe I'll start by going around the Islands here for training, maybe take a long sail here and there. We'll see. "But I'm not done yet," he adds of his time at Café Sistina. "I have to do more painting."

Hawaii’s Renaissance Man


Art That Swims

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Art That Swims

Maybe they need koi ponds at the Hawaii State Capitol. Anywhere there is a lot of bickering and posturing there is a lot of stress. How can our leaders find respite and calm from all that hot air? The Aloha Koi Appreciation Society (AKAS) recommends watching fish swim around a tranquil garden pond. In time for its annual Aloha Koi Show, we are reminded that contemplation of fish in an aquarium or pond reduces levels of stress and anxiety. If there's a choice of fish to watch, beautiful koi (carp) would top the list. Koi are best viewed from the top, as opposed to tropical saltwater fish that are best viewed from the side. The fresh-water creatures that resemble silk brocade fabric are a feast for the eyes, mesmerizing spectators with flashes of color and patterns. Someone who appreciates the scientific and aesthetic aspects of koi is Andrew Rossiter, director of Waikiki Aquarium and chairman of the eighth annual Aloha Koi Show and Japan Nishikigoi Expo. Rossiter was instrumental in bringing the event to Waikiki three years ago. The AKAS-sponsored show is an opportunity to learn about the flamboyant ornamental fish that are highly prized by European and Asian breeders. The show is Saturday, Feb. 16, 9 a.m. to 4:30 p.m., and Sunday, Feb. 17, from 9 a.m. to 2 p.m., at Waikiki Aquarium. Admission is free with aquarium admission ($9 general; $6 kamaaina). Attractions include Japanese entertainment, keiki activities, crafters and educational seminars. AKAS members will be present to address the raising and care of carp, including the importance of filtration systems to keep pond water oxygenated and clear. Rossiter has been a koi hobbyist since his boyhood in Wales, where he worked at a pet store and had 15 aquariums in the home cellar. With more than 20 years of experience as a scientist, educator and administrator in Japan, Canada and Africa, Rossiter today directs the third oldest aquarium in the United States, which is a branch of the University of Hawaii. He is surrounded during the day by 3,500-plus marine animals in exhibits representing more than 500 species of aquatic animals and plants. At the end of the day, he relaxes at his Waialae-Iki home with more fish, having a self-built rock garden and koi pond. "It took me two years to convince my wife, Yoshiko, to convert our 22,000-gallon swimming pool into a fish pond," Rossiter says, smiling. She deserves a gold medal for spousal support, we suggest. At the Aloha Koi Show, Rossiter brings the public together with fellow AKAS members and master koi breeders to share knowledge. It also is an occasion to view the state's most exquisite koi specimens. Chief judge for the koi competition is Mitsumori Isa of Isa Koi Farm in Niigata, one of Japan's foremost breeders. Koi specialists Mamoru Kodama of Miyoshiike Co. and Taro Kodama of Kodama Koi Farm in Mililani also will be at the show. Explaining nishikigoi, as koi is known in Japan, Rossiter states, "The origin goes back about 200 years ago when magoi (black carp) of Central Asian and Persian origin was cultivated as a food source. Through a breeding process, some of the fish came up with red and blue mutations." Today, there are more than 100 color varieties, with each koi being unique. Like fingerprints and snowflakes, no two are exactly alike. Koi have vivid colors, and the red-and-white (Kohaku) variety is especially prized for symbolizing the colors of the Japanese flag. "Koi transcends Western and Japanese culture," Rossiter observes. "The uniquely Japanese concept, a living art form, has been adopted throughout the world." For beginning hobbyists, he advises learning all one can from books and experts before digging up the backyard to make a pond. "I learned everything I know through making mistakes," says Rossiter, who emphasizes that it's important to learn about quarantining fish, disease and treatment, proper feeding and water filtration. "Don't shortchange yourself on the filtration system," he adds. "It is foolish to spend a lot on the fish and the pond, and less on the filtration system." Speaking of price, koi prices range from cheap ($5-$10) for small, common varieties to luxurious ($500-$10,000 each). For the serious collector, a $10,000 carp would be considered "peanuts," according to Rossiter. Prize fish can cost $250,000-$300,000. Part-cash, part-koi trade deals are common among breeders. But if you're a fish trader, would you know what to look for and how to negotiate a good deal? Networking at the Aloha Koi Show is the best way to fish for knowledge. It's the ultimate consumer and trade show for koi. Yes, you can buy koi there, too. If we've baited your interest, don't be coy. Make your way, like the mighty swimming koi, to Waikiki Aquarium Feb. 16 and 17. Wear a colorful brocade happi coat or kimono if you like, to see if you can upstage the colorful koi. Our money's on the koi.

Art That Swims

Sen. Akaka’s Last Senate Page

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Sen. Akaka’s Last Senate Page

Not many high school juniors can say that they have visited the nation's Capitol, but Maryknoll's Gwendilyn Liu has visited Washington, D.C., and worked on the Senate floor as a page for Sen. Daniel Akaka. "Honestly, going into the program, I wasn't interested in politics," she admits. "I always saw myself going into education, something along the lines of teaching. But I've always liked history and current events." Liu happened upon the Senate Page Program somewhat accidentally, as she was conducting research for her advanced American history class. "It was second trimester, and we were working on our project where we had to do a bill on immigration and get in contact with one of our congresspeople, and if it was a national congressperson, we got extra credit," she explains. "I was looking at information on Sen. Akaka's page and it happened to be there. I thought, 'Why not?'" Liu opted for the five-month program during the school semester (September to early February). There is also a one-month program during the summer. "Sen. Akaka is retiring, so it was his last Senate page opportunity," she says. "And I'm thankful that he gave me the opportunity." As a Senate page (along with 29 other students from across the nation), Liu was responsible for many of the day-to-day operations such as running messages and delivering mail. "It's not as glamorous as it may seem," she says with a smile, "and apart from working at the Capitol, another main part of being a Senate page is going to school." The pages would wake up at 5 in the morning to get to class by 6 for four hours, then hightail it to work from 10 a.m. to 6 p.m. (or whenever Senate business ended). "I happened to be in the lucky group that stayed until 5 in the morning one day," adds Liu, whose name is now in the Congressional record for her extra work time over the holiday season. It might be hard for even seasoned college students to imagine working a full-time job while taking a rigorous class load, but Liu adapted well. "We did our own laundry, we made our own food and we woke up on our own ... well, my roommates woke me up," she says with a laugh. "We had to balance going out and seeing the city and studying, but I learned a lot - about time management, especially." The entire experience gave Liu a greater appreciation of what goes on in the Senate that is not always seen. "I was with 29 other kids who are completely involved in politics and current events, and I was at the lower end of that spectrum," she says. "But they taught me so much, and I think one of the biggest aspects of this program - apart from seeing what goes on in the Senate floor - was being able to meet 29 other kids from across the country, to see their culture and to see how they talk with their accents. That's probably my favorite part." Another monumental experience for Liu was meeting Akaka, whom she said was the favorite among the pages. "Sen. Akaka would always talk to the pages holding the door for him, and he would take the time to say hi to me," she says. One day during a lunch recess, Liu was talking to Akaka in the back lobby. "There are these two boys on the Republican side who are huge fans of Sen. Akaka. They wanted me to introduce them, and rumor spread that Akaka was talking to the pages," she explains. "He took the time to personally introduce himself to each page who came up. He had a lunch to go to that we delayed him for, but he still personally took the time to talk to each page, and that was something that everyone still remembers." Liu's exceptional writing abilities also allowed her to speak during the closing ceremony. A contest was held a week before the ceremony, and each page had to write a speech to present to the teachers and principal. Liu was selected, along with two others, to present. She related her experiences to a book - a book of many pages, as she wrote. "We can hear about the program, we hear the reviews from other pages about how it changed their life and opened up so many opportunities," Liu explains. "And then we get the book, and the book is really tough and really big. We don't understand more than half of it, but we have to first learn about it. We had to learn the senators' names, where they're from and how to spell their names." One big question now looms over Liu's head: Where does she want to go for college? "I do see myself applying to schools, maybe in D.C. or at least in the area, just because I really like the city," she says. "I'll go back one day, hopefully. "I don't know if I'll go directly into politics, but if I do or if I don't, I'll have this to talk about."

Sen. Akaka’s Last Senate Page

A Model Of Transformative Learning

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A Model Of Transformative Learning

Hahaione Elementary School, the state's newest authorized International Baccalaureate World School, is training global citizens Class will come to order. Today's lesson is global citizenship. Have you done your homework on this subject? We start with a visit to the state's newest authorized International Baccalaureate (IB) World School: Hahaione Elementary in Hawaii Kai. Students here are learning about their place in the world in a fun and wondrous way. We wanted to know more about it, and examine how dramatically teaching and learning have evolved. Without question, it's a whole new world in the classroom. Hahaione is the latest of eight elite IB World Schools in our state. It is the first public elementary school in the Kaiser complex to adopt IB's Primary Years Programme for ages 3-12. The school, located at 595 Pepeekeo St., draws its 528 students from Hahaione Valley and Kaluanui Ridge in Hawaii Kai. The Hawaiian word haha'ione means "shifting sands," and describes the valley of years past when it was underwater. Today, the upscale neighborhood is clearly above ground in every respect - including scholastically. Entrepreneurial campuses in the Kaiser complex of Kaiser High, Niu Valley Middle and Hahaione Elementary - each an IB World School - are models of transformative learning. Aina Haina, Kamiloiki and Koko Head Elementary aim to be IB-credentialed by the 2016-17 school year. "This is the first K-12 construct in any state Department of Education complex implementing any model as envisioned by the Hawaii Race to the Top initiative," says Justin Mew, principal at Niu Valley Middle. "As Hahaione Elementary students matriculate to Niu Valley Middle and Kaiser High, they will have a smooth transition for expected learner traits," he adds. International Baccalaureate is a nonprofit educational foundation headquartered in The Hague, Netherlands. Founded in 1968, IB currently works with more than 3,000 schools in 140 countries to offer and develop challenging academic programs for students ages 3 to 19. In Hawaii, IB-authorized programs also are offered at Iroquois Point Elementary, Island Pacific Academy, Campbell High, Le Jardin Academy and Mid-Pacific Institute. IB's main activities are curriculum development, student assessment, teacher training-professional development and school author-ization/evaluation. IB encourages students to be active learners, well-rounded individuals and engaged world citizens. "The movement began with children of international diplomats," explains Cindy Giorgis (pronounced "Georges"), Hahaione principal. "Embassy families who traveled the world sought unified, international-minded curricula." The premise is logical for today's global society that operates across geographic, cultural and political lines in ever-dynamic ways. It begins with developing an understanding of one's own cultural and national identity. This was demonstrated vividly at a recent IB curriculum fair at Hahaione School, where class projects by kindergarteners to fifth-graders were displayed. Visitors, including many parents and grandparents, were amazed at the level of thinking, expression and global-mindedness of the children. In a bazaar of brilliance, visitors walked through exhibits of written reports, artistic expressions and theme displays of various textures and color. There were paper masks of endangered species, UV analysis of sunscreen, mapping a neighborhood with geographic tools, and glimpses into ethnic traditions. Second-graders of Mr. Nimoyama's class showed the potential to solve very complex problems. Their project was titled, "How the World Works." "Responsible citizenship is tied into DOE's strategic direction of creating 21st century learners," says Giorgis, who is in her 10th year as Hahaione principal. "To have a kindergartener or first-grader understand the concept of empathy is pretty cool." In an opinion piece, student Ivy wrote: "A person can be a good citizen by helping others, like volunteering to help with the community ... Helping people is great because you will feel happy and you feel like you accomplished something." Teachers blend IB concepts, attitudes and actions into core curricula. As a result, instruction taps students' social, communication, thinking, research and self-management skills. Giorgis cites "crucial support" of the school's PTSA that raised $100,000 last year to send faculty to IB training.

A Model Of Transformative Learning

Saving Lives Through Screening

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Saving Lives Through Screening

March is Colon Cancer Awareness Month, and there is no better time to get screened at the newly established Endoscopy Institute of Hawaii According to the Centers for Disease Control and Prevention, 51,848 people in the United States died from colon cancer in 2009. And a total of 136,717 were diagnosed with the disease that year (the most recent data available). That makes it the third most common cancer in the country - and the second leading cause of cancer-related deaths. Yet despite the prevalence of colon cancer, screening rates are lagging across the country, and Hawaii is near the bottom. Only about 60 percent of adults ages 50-75 in the state reported getting screened in 2009, according to the CDC. In order to combat those grim statistics, eight leading doctors have teamed up to create the Endoscopy Institute of Hawaii, which uses cutting-edge technology to screen patients for colon cancer and digestive problems in a convenient, comfortable manner. Opened in October, it aims to streamline screening, increase public awareness and ultimately reach more patients. "There is a tremendous demand for increased access to screening here," says Dr. Mark Mugiishi, one of the institute's eight partners who specializes in general surgery. "Shame on us as a state. We need to get better, and so that is what we are hoping to do in the next few years." "We were noticing that patients for screening were waiting longer and longer just to get an appointment," says institute partner Dr. Racquel Bueno, a general surgeon who specializes in minimally invasive procedures. "We took a look at what those problems were and how we could find solutions." The team of doctors, along with corporate sponsor Skai Ventures, turned to an open access model - one that addresses a single area of care in an effort to make treatment more efficient and effective. In addition to long waiting periods, the doctors identified patient fear of a colonoscopy as a major hurdle to screenings. Perhaps it is that fear that contributes to the way colon health is talked about - or not talked about. "It is not as popular of a topic as breast cancer, for example," says institute partner Dr. Cedric Lorenzo, who specializes in minimally invasive surgery. "It is a part of the body that people are not the most comfortable with discussing. As a result, I think it gets pushed to the back of people's minds in terms of their exam." The fear that this procedure seems to invoke among patients is understandable. Screening involves inserting a 5-foot-long scope into the anus, through the rectum and throughout the colon (large intestine) to look for small growths, or polyps. The polyps are slow-growing, and while many are benign, some may develop into malignancy over time - and symptoms such as bleeding, weight loss, abdominal pain or change in stools often do not appear until the cancer is farther along. But there is good news - well, a silver lining, at least - about colon cancer: Screening is effective. It is so effective that CDC estimates up to 60 percent of related deaths would not occur if everybody eligible received regular screenings. "Screening for colorectal cancer is not just screening, it actually prevents colon cancer from developing," Bueno says. During the procedure, any precancerous growths that are found will be snipped and removed. "When you think about the prevention of the worst diseases in the United States, it is really the easiest one of all to prevent," Mugiishi says. "When you think about what you have to do to prevent heart disease, you have to lose weight, you have to keep your blood pressure down, you have to stop smoking ... In colon cancer, if you have this screening once every 10 years from the time you're 50, you basically eradicate your risk." Screenings are recommended for people 50 and older. Those with risk factors such as inflammatory bowel disease or a relative with colon cancer should get screenings earlier. Other possible risk factors include a low-fiber, high-fat diet, obesity and alcohol and tobacco use. The Endoscopy Institute utilizes state-of-the-art optics, such as a 190-degree camera that provides a clear view of the entire colon. It also works with any issues related to digestive health, including problems with swallowing, heart-burn, gastric reflux and indigestion. To treat these issues, the institute offers upper endoscopy screenings, which examine the esophagus, stomach and portions of the small intestine. "Almost any digestive problem that we discover here, there will be somebody within our network of physicians who can take care of the problem," Mugiishi says. The institute is comprised of experts in all aspects of digestive health. In addition to Bueno, Lorenzo and Mugiishi, its medical team is comprised of gastroenterologists Herbert Lim, Howard Minami and Warren Ono, and colon and rectal surgeons George Lisehora and Ronald Wong. The doctors agree a deep level of collegial cohesiveness exists among them. And no wonder there is such a camaraderie - many of them have longstanding professional and personal connections. Bueno and Lorenzo attended medical school together, and they both later studied under Mugiishi through the University of Hawaii residency program. Lim attended Iolani School with Mugiishi, and more recently trained Bueno and Lorenzo during their residencies. Lisehora and Wong have worked with Mugiishi for years. Bueno, Lorenzo and Mugiishi also are UH professors, where they facilitate training and conduct research. For these doctors, one goal that motivated them to start the institute was to provide care to as many people as possible. Last month, it received Medicare certification, meaning it can now treat those who receive federal insurance. Pre-procedural evaluations also are available at no additional cost. "If you are trying to increase the rates of screening, one area that you should be targeting is the underserved," Lorenzo says. The passion this team of doctors has for improving digestive and colon health is evident in the way they can recount stories of patients. Some stories are uplifting - like the one about a young man who went home with normal test results after experiencing abdominal pain. Other stories don't have happy endings - and are somber reminders of why this type of institute is important. "The advice we would give is our tagline, which is that 'screening saves lives,'" Mugiishi says. "Now that we have made it easy and convenient ... there is no reason not to want to save your life." For more information about Endoscopy Institute of Hawaii or to schedule an appointment, visit endoscopyhawaii.com or call 312-6700.

Saving Lives Through Screening

A Late Classmate’s Living Legacy

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The Hawaii Bone Marrow Donor Registry gala unites a recipient who beat cancer and the donor who made it possible

Online dating services have nothing over Hawaii Bone Marrow Donor Registry (HBMDR) when it comes to the art of making matches. One is in search of love, the other is in search of life.

Each year, as many as 3,000 people in the United States die waiting for a bone marrow donor match. A significantly higher number of people die from complications arising from partially matched donors. Only 2 percent of Americans are on the national bone marrow donor registry, which makes finding a perfect donor match even more difficult. It isn’t simple to find a blood donor match, but bone marrow donors must be compatible on a deep genetic level – something that is especially hard to find for minorities, especially Asians and Native Hawaiians.

Right now, 180 Asians and 30 Hawaiian-Pacific Islanders are waiting for donors. They are in their final stages of life-threatening blood cell-related diseases, such as leukemia or lymphoma.

Hawaii’s most publicized case was leukemia patient Alana Dung, who in 1996 triggered a statewide and worldwide search for a bone marrow match. The 3-year-old received a transplant from a donor in Taiwan, but died after a courageous fight.

The plight of patients still rocks emotions and a sense of urgency in the complex and even controversial field of transplantations. Because human transplants are subject to voluntary donations, a range of health ethics issues can arise.

But when a family member or friend is faced with a life-threatening diagnosis, compassion can be the best medicine. HBMDR knows this and facilitates many “miracles with aloha.”

Sustaining the drive and awareness of this cause are 1972 Hilo High classmates Wes Fujimoto and Annie Yonashiro. Both now Honolulu residents in established careers as an attorney and hair salon operator, respectively, they have kept alive the dream of a fellow Hilo High classmate to match donors with recipients.

This year there is an ironic twist to their mission, as yet another classmate becomes involved in the quest for donors. More about that later.

For the sixth year, Fujimoto and Yonashiro co-chair the “Give 2 Live,” which raises awareness and funds for the local bone marrow registry. This year’s event is Friday, April 26, at 6 p.m. at Manoa Grand Ballroom. Featuring the R&B band Funkshun and 11 guest artists, the night will sparkle with the nostalgic music of the ’70s and ’80s. Guests also can shop for exciting merchandise and gifts at a calabash corner. Proceeds from tickets ($55-$75) support the work of tissue analysis and administering the intricate process of matching potential local donors with recipients needing bone marrow nationwide.

Annie’s husband, Roy Yonashiro, has served as the registry’s executive director for 16 years and previously was a volunteer. The Kaimuki High School graduate joined his wife and classmate Fujimoto when they became involved in the cause.

As Annie tells it, “In the late ’80s our classmate Patricia Ikeda Tamashiro from Hilo High School class of 1972 was diagnosed with leukemia. She was in need of a lifesaving bone marrow transplant. She did not find a match in the national registry and so her son, though not a perfect match, became her donor. Unfortunately, she did not survive.

“However, before she passed away, Tamashiro and others approached the state Legislature and lobbied for funding to start the Hawaii Bone Marrow Donor Registry in their mission to educate and recruit bone marrow donors for patients everywhere.”

Currently there are 80,000 registered donors in Hawaii, and more than 350 people who have donated bone marrow or blood stem cells, according to Roy.

Although transplants save thousands of lives each year, 70 percent of those needing marrow are unable to find a suitable donor. In a bone-marrow transplant, the patient’s diseased bone marrow is destroyed and healthy marrow is infused into the patient’s bloodstream.

Tissue screeners seek donors ages 18-44 who are in excellent health. The testing process is painless, and one remains on the registry until an exact match is made. Some donors have been matches for several patients.

Donating marrow is unlike donating a vital organ, such as a kidney, as bone marrow has the ability to regenerate itself.

One could say it’s a “full circle” cycle. That can be said, too, of the donor story that will be highlighted at Give 2 Live. Donors and recipients who consent to revealing their identities are united on stage for emotional and tearful meetings. The joyful embraces and testimonies that take place tell the story of life-giving triumphs more than any medical or scientific treatise could.

It should be quite an occasion when Karen Inouye Ochiai of Manoa, a pharmaceutical vaccine specialist, reunites with bone marrow recipient Allen Agor of Hawaii Kai. Three years ago, Agor, a public safety official with the U.S. Department of Homeland Security, was diagnosed with leukemia, but is alive and well today because of Ochiai.

The one-in-10 million chance of this rare match makes it a miracle of medical science. The fact that donor and recipient were found only eight miles apart on the same remote island is another remarkable development. It is record-setting in many respects.

But the serendipity doesn’t stop there.

Donor Ochiai is a Hilo High ’72 grad and classmate of HBMDR pioneer Tamashiro. Could there be a more fateful and noble network of classmates in the state?

Fujimoto, who was class president in 1972, shakes his head in disbelief but endorses the caring compassion shown by his fellow grads.

“Each year, we say this will be our last fundraiser, but inspiring stories like this bring us together again,” he says.

Sort of like a match made in heaven.

For tickets to the April 26 Give 2 Live benefit and information about HBMDR, email give2livemarrow@gmail.com.

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